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Pantone colours, also known as PMS colours, are how brands make sure their exact shade of green, red or blue looks the same on a t-shirt, a sign and a website, whoever is printing it. This guide explains how Pantone colour matching works in screen printing, which references to send the printer, and how to get your brand colours right on every single garment colour.
When we screen print your design, each colour printed is mixed to a Pantone reference rather than taken from the nearest stock ink, so your logo comes out in your brand colour, not something resembling it. Screen printing starts at 20 units per design, with a standard turnaround of six to seven business days from artwork approval.
Key points
In this guide
Pantone colours are standardised, numbered colours from the Pantone Matching System, usually known as PMS colours. Introduced in 1963, the system gives every colour a unique reference, such as Pantone 485 C, and a published ink formula. Because the formula will never change, a printer in London and a printer in Madrid can mix the same Pantone colour and get the same result.
In print, Pantone colours are known more commonly as spot colours. Instead of building a colour out of tiny dots of four process inks, a spot colour is mixed in advance as a single, solid ink. That is exactly how screen printing works: each colour in your design is mixed separately and printed through its own screen, which is the reason screen printing is the best way to reproduce Pantone colours on clothing.
Think of any major brand and you picture a colour before you picture anything else. McDonald's, for example, is famously associated with Pantone 485 red and Pantone 123 yellow. When a brand colour is ever so slightly off on printed merchandise, people often notice that something looks wrong, even if they can't say why.
Pantone colour matching keeps your brand consistent across everything you produce:
When we printed these tote bags for Strava, their orange logo was matched to Pantone PMS 1655 C, so it matches their brand orange everywhere else it appears.

Pantone matching in screen printing comes down to mixing the right ink and checking it properly before production begins. At 1WorldPrint it works like this:

Special effect inks follow the same rule. For puff printing, the puff additive slightly dilutes the colour, so we print a puff base first and a second layer in your exact Pantone colour on top. Metallic printing uses Pantone metallic references such as 871 C gold and 877 C silver.
Every Pantone colour is printed in two versions of the guide. The coated guide is printed on glossy paper and the colour number ends in C. The uncoated guide is printed on matte paper and the number ends in U. The same number looks different in each: coated swatches look brighter and more saturated, while uncoated swatches look softer and flatter. We always ask for coated Pantone references.
At 1WorldPrint we use the Pantone Solid Coated guide for screen printing, so your colour should end in C. A coated swatch is the closest representation of how plastisol screen printing ink looks on a garment. If your brand guidelines only list a U colour, send it over and we will match it to the closest coated equivalent.
You may also see references ending in TCX or TPX. These come from Pantone's textile system and are mostly used for dyeing fabric and yarn. We can work from them too, matching each one to the closest Solid Coated ink.
The vast majority of brands already have Pantone colours, even if nobody remembers them. Try these, in order:
Vectored artwork with the Pantone colours already set, as an AI, EPS or PDF file with outlined fonts, is ideal. Our guide to colour in screen printing answers the other questions brands ask before ordering.
Get a Pantone matched quoteor call 0208 064 1315
Pantone, CMYK and RGB are the three different ways of describing colour, and they don't convert perfectly into one another.
| Colour system | What it is | Where it is used | Accuracy on clothing |
|---|---|---|---|
| Pantone (PMS) | Pre mixed spot colours, each with its own formula | Logos, brand colours, screen printing | Exact and repeatable |
| CMYK | Cyan, magenta, yellow and black mixed as tiny dots | Full colour print, photos, DTG and DTF | Close, but varies by printer and fabric used |
| RGB and HEX | Red, green and blue light | Screens, websites and social media | Converted to CMYK or Pantone before printing |
For a logo or a brand colour that simply has to be right, Pantone is the one to use. CMYK is best suited to photographic and full colour designs, which is where digital printing comes into its own.
How closely your Pantone colours can be matched depends on which print technique is used to decorate the garment.
| Print method | Pantone match | Minimum order |
|---|---|---|
| Screen printing | Exact. Each ink is mixed to your Pantone formula | 20 units |
| Puff printing | Exact, using a puff base and a Pantone top layer | 25 units |
| Embroidery | Very close. Matched to the nearest thread shade | 8 units |
| Direct to garment | Close. Built from CMYK inks | 8 units |
| Direct to film | Close. Built from CMYK inks | 8 units |
If exact brand colour is the priority, go for screen printing. If your design is a photograph or has hundreds of colours, DTF or DTG will produce better results, and our guide to DTF vs DTG printing explains which to pick.
A Pantone reference is printed on white paper, so a few things can change how the same ink looks on a garment:
The number of colours in your design also changes the price, because every colour requires its own screen. Our guide to keeping t-shirt printing costs low explains how to get the most from each printed colour.
We screen print Pantone matched custom t-shirts, hoodies, sweatshirts, polos, workwear and tote bags for businesses, clubs, events and bands. Every order is printed in house and sent out on tracked delivery anywhere in the UK, with shipping into Europe and worldwide when you need it.
If you are ordering across several products, give us the same Pantone references for every item, so your t-shirts, totes and workwear all match each other. If your design has more colours than your budget allows, tell us which brand colour matters most and your Account Manager can suggest which of the others could be combined or dropped.
Custom screen printing starts at 20 units per design, with a standard turnaround of six to seven business days from artwork approval and express turnaround available when the date is tight. A dedicated Account Manager handles your order from start to finish, and 30/60 day credit terms are available for businesses.
Four steps from first enquiry to delivered order, with one point of contact the whole way through.
Send over your artwork, Pantone references, garment, quantity and deadline. A dedicated Account Manager will come back to you within 15 minutes with pricing and options.
We send a free visual proof within 30 minutes of your order being confirmed, listing the Pantone colour for every part of your design.
Every ink is mixed to your Pantone references and checked before printing, then your order is printed, checked piece by piece and packed by our own team.
Tracked delivery using the most reliable couriers in the UK, with shipping into Europe and worldwide whenever you need it.
A Pantone colour is a numbered, standardised colour from the Pantone Matching System, often called PMS. Each number has a published ink formula, so a printer anywhere in the world can mix the same shade and your brand colour looks the same on every order. This is vital for brands that print across many different continents.
C stands for coated and U for uncoated. The same Pantone number is shown printed on glossy coated paper and on matte uncoated paper, and it will look brighter on coated stock. For screen printing we work to the Pantone Solid Coated guide, because it is the closest match to how plastisol ink finishes on a garment, so the colour you send to us should end in C. If you only have a U or a textile reference, we will match it to the closest coated colour.
Check your brand guidelines first, or ask whoever designed your logo. If you still can't find it, send us your logo files and we will find the closest Pantone match and show it on your free visual proof before anything is printed.
Yes, by converting it to the nearest Pantone colour. Screen and CMYK colours don't convert perfectly, because a screen is backlit and ink on fabric is not, so we will confirm the Pantone reference we are using on your visual proof.
Not without help. Ink on a dark garment looks darker and duller, so for bright colours on black or navy we print a white underbase first (flash) and your Pantone colour on top. Colours print most accurately on white and light garments.
They can get close, but not exact. Direct to garment and direct to film printing build colours from CMYK inks, so a Pantone shade is approximated, and embroidery is matched to the nearest available thread shade. If an exact brand colour matters, screen printing is the method to choose. With embroidery we use the closest thread to your Pantone colour.
Yes. Because we print to the same Pantone reference every time, a reorder weeks, months or years later matches the first run, which is the exact reason why brands use Pantone for uniforms and merchandise.
Screen printing starts at 20 units per design, and every colour is mixed to a Pantone reference as standard. The standard turnaround is six to seven business days, with express turnaround available on request.
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